Melbourne based songwriter wizard Emma Russack just released her fifth album Winter Blues on July 5th via Osborne Again Records with the background help of publishers Native Tongue. Winter Blues is still introspective, all-questioning Emma Russack, but there’s some newfound sunlight and optimism, which creates an interesting progressive arc off the back of recent previous solo albums In A New State and Permanent Vacation.
Those two previous solo albums were full of doubt and concerns, with Emma taking on self therapy through her songwriting. They made the listener feel like they were having a Deep & Meaningful with Emma, not because she needed to vent but because she just had really interesting life questions. She asked what many people would regularly feel, and she would publicly try to answer those questions through her songs, answers most wouldn’t share so earnestly. On Winter Blues a few life changes have turned that thinking into being content with concern, understanding it’ll always be there and how to embrace it. Tracks such as ‘I Could Say‘, ‘Follow My Heart‘ and ‘Floating Seeds‘ are soft and beautiful, the questioning is replaced with joy. There’s still doubt on tracks such as ‘What Is Love‘ and ‘Be Real‘, but even on those tracks she’s on the front foot tackling that doubt, not letting it consume her. Then the album finishes with ‘Never Before‘ a kind, tension free, positive therapy ending track, which makes you wonder what tone the next Emma album will have and continue this ever expanding and fascinating discography.
Emma is going on a mini Australian tour over August and September with super band members Nathalie Pavlovic (Dianas), Liam Halliwell (The Ocean Party) and Dylan Young (Way Dynamic), until then she’s sent us a Trading Tunes to “Quell The Winter Blues”.
August 7th: Melbourne at The Jazzlab
August 9th: Canberra at Sideway
August 10th: Sydney at Golden Age Cinema & Bar
September 13th: Kyneton at Major Tom’s
September 14th: Macedon at Macedon Railway Hotel
September 15th: Castlemaine at The Taproom – Shedshaker Brewing
Erlend Oye – ‘La Prima Estate’
“He’s a Norwegian singing in Italian about summer! I love dancing to this song.”
Joni Mitchell – ‘Carey’
“I used to cover this song when I was a teenager. The lyrics remind me of hot, summer
nights, wearing singlet tops and drinking wine.”
Michael Franks – ‘Eggplant’
“I love the lyrics in this song. They make me laugh. It’s all about how his girlfriend cooks
eggplant ‘19 Different Ways.”
Betty Davis – ‘They Say I’m different’
“The Real Queen B.”
Toki Asako – ‘September’
“This is a fun cover of a really fun song. I particularly like this version because it reminds me
of when my boyfriend and I started dating. He was playing this all the time.”
“2012 Dolewave” as Lachlan Denton described one of their final songs, is officially laid to rest. The Ocean Party have put this particular project to rest after the passing of member Zac Denton. I won’t discuss his passing in this recap however, as I believe that’s a personal matter for his friends and family. This is simply a nice recap for one of my favourite bands this decade, as iconic of a Melbourne band as it gets. A band you’ll play to your kids in 20 years and say, “This pretty much sums up what the 2010-2020 decade felt like in our twenties.”
If the ’90s in Melbourne were punk rock, the 2000’s were keyboard revivalists unafraid to dance again at a pub gig. The 2010-2020 had a fleet of bands inspired by ’80s Australian acts such as The Go-Betweens, bands not full of angst, not learning to dance for the first time, just bands trying to understand the world and feeling like they haven’t got much power all the way down in Melbourne. Bands that write about the feelings that come to mind walking from work to gigs to somebodies backyard drinks, to the morning after with lyrics such as “Every weekend’s always the same, Girl in my room, I don’t know her name, I’m high on Saturday, suicidal on Sunday, I’m wastin’ my youth away”.
Looking for people to connect with, and that’s what The Ocean Party did as well as anyone in Melbourne. They felt like your good friend, never above or below you. The Ocean Party were like the friend who you didn’t really know, but you knew you could trust them. Their intentions were pure, they were pure musicians, not accountants pretending to be musicians for financial benefits. As you could tell, the band never made much money (just look at the beloved touring van they once drilled together).
Despite emerging from the Dolewave label, that generally implied morals slightly healthier than stoner rock, The Ocean Party actually tackled world problems in their songs too. Their 2015 track ‘Guess Work‘ is about the gun problem in the USA and it’s one of their more memorable songs. The occasional acknowledgement of the larger world around them, meant that when they did just sing about ‘Chinese Takeaway‘, these songs served as stress release distractions that we sometimes need from the hectic life of the overbearing world at times. I think of S02E01 of the TV show High Maintenance, when all of New York finds out Donald Trump got elected, and immediately weed sales skyrocket. If I was soundtracking a Melbourne version of High Maintenance, I’d choose tracks such as ‘More To Run‘, that sings “Have to believe in more than myself / to keep hangin’ on”. A song really concerned with what’s happening socially outside of the northside Melbourne bubble. Or ‘Split‘ that sings “I’m torn between what I want and / what I have to do/ I am finding it hard / I am split”, the band also chose this to be their final song played in Melbourne on the 23rd of March 2019.
The final Melbourne gig was a brilliant and emotional homage to Zac Denton. The band brought on stage guest singers for different Zac songs.
Emma Russack for ‘Nothing Grows‘
Will Farrier for ‘Model Sheep‘
Ashley Bundang for ‘Useless‘
Amanda Roff for ‘Country Air‘
Dominic Kearton stepped in on ‘Rain On Tin‘
and Snowy stepped in on ‘We Should Do This Again‘
While many of them shed a tear or two, it was Zac’s partner Mashara Wachjudy singing ‘Birth Place‘ that was gut-retching and beautiful and not something I’ll ever forget. The band joked that you can tell an Ocean Party song from another one of their side projects, because “they’re the honest songs”. I think another word they could’ve used was “vulnerable”, The Ocean Party always seemed to unlock the confidence in each other to be honest and vulnerable on stage. Something rarely found in a band from all of its members. Sets sometimes felt like an Alcoholics Anonymous meeting, where band members took turns being honest and vulnerable with strangers.
It was fitting that for their final song and performance of ‘Split’, they encouraged the crowd to come on stage and sing along together, groups of 4 or 5 people around each microphone, bringing the bands country community spirit to the city one last time. Combine that with the Howler PA system and a wonderful sound mix via Bonnie Knight, a mix as lush and defined as I ever heard The Ocean Party. Where the guitars glistened like The War On Drugs, and all the instruments’ special subtle interplay was clearly defined. The band, friends, fans and family made Zac Denton, where ever he is now, smile at least one more time.
Talented multi-instrumentalist (and all-round-nice-guy) Lachlan Denton, caught our attention years ago in the local-unstoppable six-piece band The Ocean Party. Flashing forward to now however, Lachlan is breaking off with his own material and recording collaboration albums with the likes of Emma Russack. His latest solo album Two Months In Ben Woolley’s Room was released independently in June and is available online via bandcamp.
The story behind the creation and recording of Two Months In Ben Woolley’s Room makes a very unique release. Recorded in Abbotsford over ‘two months’ (as the name suggests) it follows the end of an eight-year relationship. The songs are very heartfelt and nostalgic, looping endlessly through Lachlan’s thoughts – “Be apart of your world”, “I know it’s not your job to care” and “I want to be irrational for us”.
The musical arrangements complement Lachlan’s inner thoughts, making the songs not only relatable but a very easy listen for any mood. Deep-dive into your own thoughts or listen to a voice you can relate too, let this album play out and accompany you through your thoughts and day.
When we recently had the opportunity to chat to Lachlan about his album and progress so far, he sent us five ‘sentimental pop songs’ for a Lachlan Denton edition of Trading Tunes – check them out below!
Stolen Violin – ‘Romance at the Petrol Station’
“My favorite song from one of my favorite songwriters. Knowing that Jordan is from North Queensland gives me the most vivid imagery of a humid northern summer when I listen to this song.”
Lower Dens – ‘I Get Nervous’
“This song has such a beautiful tension. It manages to musically and lyrically evoke the feeling of being in the presence of a new romance. ”
Dick Diver – ‘Amber’
“I’ve done a lot of regional touring with the The Ocean Party, and this song evokes the feeling of driving through a small town on a golden afternoon. ”
Emma Russack – ‘Migration’
“I’m very lucky to call Emma a friend. This song is my favorite of all the amazing songs she has written. Dream like imagery that is utterly bitter sweet.”
The Church – ‘To Be In your Eyes’
“This song should have been on a John Hughes film. It hits me. Utterly romantic.”